THE BEST 20 GRAPHOLOGY BOOKS
| Author | Title |
| Crépieux-Jamin | L'Écriture et le Caractère |
| Klages | Handschrift und Charakter |
| Saudek | The Psychology of Handwriting |
| Saudek | Experiments with Handwriting |
| Crépieux-Jamin | ABC de la Graphologie |
| Pulver | Symbolik der Handschrift |
| Klages | Graphologie |
| Teillard | L'Ame et L'Écriture |
| Pophal | Die Handschrift als Gehirnschrift |
| Beauchataud | Apprenez la Graphologie |
| Mueller/Enskat | Graphologische Diagnostik |
| Vels | Escritura y personalidad |
| Gille-Maisani | Psychologie de L'écriture |
| Hughes | What Your Handwriting Reveals |
| Cobbaert | La Graphologie |
| Torbidoni/Zanin | Grafologia |
| Roman | Encyclopedia of the Written Word |
| Sonnemann | Handwriting Analysis |
| Bernard | The Art of Graphology |
| Nezos | Graphology |
| Peugeot et al | Manuel de Graphologie |
| Desurvire | Various books |
This list is mainly based on the article below.
Introduction
In recent years there has been much international co-operation between graphologists. This has been evidenced by international conferences, translated books and articles, terminology lexicons in numerous languages, agreed international codes of conduct, and the formation of international special interest groups. This article offers another perspective on the international nature of graphology. It summarises the results of an enquiry which took place in 1997 and 1998. The aim was to identify which graphology books have been recommended and adopted by key organisations in Europe, representing practice accepted as proper by an experienced body of practitioners trained and skilled in the relevant field.
Methodology
Reading lists were obtained from organisations in various ways, principally in response to a letter of request, but also less formally through representatives, associates, students or publications. The organisations in the enquiry were in Great Britain, Italy, France, Germany, the Netherlands and Switzerland 1. This study does not represent all European countries. Additionally, certain individuals were contacted to clarify the content of the numerous texts involved and published bibliographies were consulted to confirm details.
We have restricted the study to cover only general graphology books, dealing with the interpretation of handwriting. Most tutors also recommend texts on psychology, sociology, criminology and other areas. Such subjects were excluded for the analysis, furthermore, specialist graphological texts have been disregarded, as explained below.
Data Analysis
Our intention was to create a summary listing, showing similarities and differences between the different countries. Having obtained letters and lists, it was clear that this approach was wholly inappropriate and would prioritise books unrealistically. The number of books on each reading list varied from five titles to several hundred. The varied terms 'essential reading', 'desirable reading', 'suggested reading', 'recommended reading' etc. conceal many different definitions. Indeed, we discovered that some organisations have a policy of providing their own materials and do not advocate outside reading.
At this first stage, we deduced that there are varied reasons for recommending specific titles to students. A book, generally speaking, will only appear if the people developing reading lists are familiar with it. Many valuable works are not available, either because no translation exists, or publishers are unhappy to carry such titles in particular countries, so 'personal exposure' is one reason why a book may be listed.
Other reasons include availability to both students and teachers; similarly how easy books are to use, whether for learning or teaching. Another determinant is the nature of the tuition: some graphology courses are short (weekends), others are longer (three years). Tuition may be by distance learning, or in classrooms. These approaches demand different teaching strategies and different types of textbooks.
For all of these reasons, we believe that the lists were not comparable and it would therefore be wholly inappropriate to relate specific titles to specific organisations or indeed to indicate the numbers of texts chosen by specific course organisers. We have chosen to amalgamate all titles and to eliminate duplication. In order to reduce the lists to a manageable length, we have ignored books which address specific issues such as children, 'Questioned Document' work, health, typologies, etc. Instead we focus on texts of a general graphological nature.
The books have been divided by language; this was particularly useful since associations do not only recommend works written in their operating language. So for example French titles appear on British lists, English titles on Swiss lists, German titles on Dutch lists, and so forth.
The analysis has been ordered chronologically from the first edition date. For purposes of brevity, publishers' names, the number of pages and country of origin have been excluded. Miller (1982) and Gille-Maisani (1992) 2 3 are two sources which provide full descriptions for almost all mentioned titles, which we have necessarily been unable to do in this short article.
Results
Our synoptic analysis is reproduced below. The analysis shows 22 titles which are available in more than two languages, 25 titles in German only, 14 titles in English only, 8 titles available in French only, and a further 9 titles available in Italian, Spanish and Dutch. This is a total of 78 titles.
Table 1: Titles known to be available in two or more languages
| Original Year |
Author | Title | Languages Available¶ | |
| 1887 | Crépieux-Jamin | * | L'Écriture et le Caractère | F, G, Sp, E, I, O |
| 1917 | Klages | * | Handschrift und Charakter | G, F, Sp, I |
| 1925 | Saudek | * | The Psychology of Handwriting | E, G, I, F |
| 1928 | Saudek | * | Experiments with Handwriting | E, G |
| 1929 | Crépieux-Jamin | * | ABC de la Graphologie | F, O |
| 1931 | Pulver | * | Symbolik der Handschrift | G, F, E, I, Sp, O |
| 1932 | Klages | Graphologie | G, F | |
| 1948 | Teillard | * | L'Ame et L'Écriture | F, G, E, I, Sp |
| 1949 | Pophal | * | Die Handschrift als Gehirnschrift | G, E, I |
| 1959 | Beauchataud | s | Apprenez la Graphologie | F, E |
| 1961 | Mueller/Enskat | * | Graphologische Diagnostik | G, I |
| 1961 | Vels | * | Escritura y personalidad | Sp, F |
| 1969 | Gille-Maisani | Psychologie de L'écriture | F, E, Sp, I | |
| 1970 | Hughes | What Your Handwriting Reveals | E, Sp | |
| 1973 | Cobbaert | s | La Graphologie | F, G |
| 1974 | Torbidoni/Zanin | s | Grafologia | I, F, Sp |
| 1983 | Hargreaves/Wilson | A Dictionary of Graphology | E, G | |
| 1985 | Bernard | s | The Art of Graphology | E, G |
| 1986 | Gullan-Whur | The Graphology Workbook | E, Sp | |
| 1986 | Nezos | s | Graphology | E, I, O |
| 1986 | Peugeot et al | * | Manuel de Graphologie | F, E, I |
| 1989 | Branston | Graphology Explained | E, Sp, O | |
| 1997 | Desurvire | Various | F, IT |
| ¶ | E=English | F=French | G=German | I=Italian | Sp=Spanish | O=Other |
| The original language is used first. | ||||||
| Original Year |
Author | Title | |
| 1933 | Wollnick | * | Grundfragen der Graphologie |
| 1939 | Pophal | * | Grundlegung der bewegungsphysiologischen Graphologie |
| 1943 | Heiss | * | Die Deutung der Handschrift |
| 1950 | Knobloch | * | Die Lebensgestalt der Handschrift |
| 1950 | Pophal | * | Das Strichbild |
| 1956 | Wieser | * | Persönlichkeit und Handschrift |
| 1958 | Miller | Einführung in die Graphologie | |
| 1961 | Pfanne | * | Lehrbuch der Graphologie |
| 1963 | Pokorny | Die Moderne Handschriftendeutung | |
| 1966 | Pophal | s | Graphologie in Vorlesungen |
| 1968 | Pokorny | s | Psychologie der Handschrift |
| 1969 | Wieser | s | Grundrisz der Graphologie |
| 1971 | Knobloch | * | Graphologie |
| 1973 | Wagner | * | Graphologische Forschungen |
| 1973 | Wieser | s | Rhythmus und Polarität in der Handschrift |
| 1978 | Doubrawa | Handschrift und Persönlichkeit | |
| 1978 | Wieser | s | Handschrift, Rhythmus, Persönlichkeit |
| 1984 | Müller | Schriftpsychologie | |
| 1985 | Wirz | * | Grundlegung einer kausalen Graphologie |
| 1989 | Avé-Lallemant | Die vier deutschen Schulen der Graphologie Klages, Pophal, Heiss, Pulver |
|
| 1991 | Känzig | Graphologie | |
| 1993 | Lüke | Das Handbuch der graphologischen Praxis | |
| 1994 | Dosch | Graphologie des Strichs | |
| 1994 | Lüke | Du bist, wie du schreibst | |
| 1994 | Seibt | Schriftpsychologie |
| Original Year |
Author | Title | |
| 1936 | Olyanova | Handwriting Tells | |
| 1939 | Jacoby | Analysis of Handwriting | |
| 1947 | Mendel | Personality in Handwriting | |
| 1953 | Sonnemann | s | Handwriting Analysis |
| 1954 | Roman | * | Handwriting, A Key to Personality |
| 1962 | Olyanova | The Psychology of Handwriting | |
| 1966 | Hearns | s | Handwriting, An Analysis Through Its Symbolism |
| 1968 | Roman | * | Encyclopedia of the Written Word |
| 1969 | Singer | A Manual of Graphology | |
| 1980 | Amend/Ruiz | Handwriting Analysis | |
| 1985 | Simpson | Analysis of Handwriting | |
| 1989 | Mahony | Handwriting and Personality | |
| 1993 | Nezos | Advanced Graphology | |
| 1995 | Branston | Elements of Graphology |
| Original Year |
Author | Title | |
| 1938 | Hegar | * | Graphologie par le trait |
| 1954 | Gobineau/Perron | * | Génétique de L'écriture |
| 1969 | Olivaux | L'Analyse Graphologique | |
| 1982 | Tajan | La graphomotricité | |
| 1983 | Faideau (ed) | s | La Graphologie |
| 1984 | Bresard | La Graphologie | |
| 1985 | Faideau (ed) | s | Dictionaire Pratique de Graphologie |
| 1986 | Lefebure/vd Broek | * | Le trait en Graphologie |
| Original Year |
Author | Title | Language | |
| 1914 | Moretti | * | Trattato di Grafologia | Italian |
| 1948 | Schrijver | Leerboek der Grafologie | Dutch | |
| 1953 | Slikboer | Graphodiagnostiek | Dutch | |
| 1974 | Xandro | s | Grafología Superior | Spanish |
| 1975 | Galeazzi et al | s | Guida alla grafologia | Italian |
| 1976 | Palaferri | Dizionario grafologico | Italian | |
| 1977 | Galeazzi et al | s | La scienza grafologica oggi | Italian |
| 1987 | Halbertsma/Klementschitsch | Het Graphologie Compendium | Dutch | |
| 1989 | Cristofanelli | Grafologia | Italian |
Discussion
To our knowledge, this is the first time that the reading lists for over ten European organisations have been obtained and combined. This listing represents years of graphological experience, expertise and exposure to such texts. It is a valuable snapshot of the current status of graphology in Europe.
In our search to find an equivalent study, we made a special analysis of the Gille-Maisani (1992) bibliography. The author, a polyglot, had examined and studied most of the texts he listed and was able to evaluate them. He distinguished between books which were 'original' and those which had 'didactic' value. He explained the former as "works in which the author has introduced innovative methods, elucidated original ideas or arrived at important new conclusions". The latter he defined as "works that when they first appeared presented a reliable account of a didactic summary of the current state of graphology, whether it concerned the science as a whole, or a particular section of it, or the work of an individual school of thought".
Table 6 shows the numbers of books in our European survey compared with his listing of these two categories. From the analysis we are satisfied that our methodology adequately identified the major texts currently recommended in Europe. Approximately one hundred books describe the basic principles of graphology.
Table 6: Survey Comparisons
| Language used | Gille Survey | European Survey |
| Table 1: Multiple Languages | 20 | 22 |
| Table 2: German | 44 | 25 |
| Table 3: English | 15 | 14 |
| Table 4: French | 37 | 8 |
| Table 5: Other Languages | 13 | 9 |
| Total Books | 129 | 78 |
Conclusion
Our purpose was to identify which graphology books have been recommended and adopted by key organisations in Europe. This has been achieved, and in itself is a valuable record. Furthermore, the listing is a powerful tool for researchers, teachers and students in the field.
From a research viewpoint, these named titles offer the core knowledge of graphology. Validation studies, which are heavily demanded by critics of the subject, can usefully be conducted on the content of these tomes. These instruction manuals are the ones which constitute the 'state of the subject'. Research which focuses on the claims made is likely to provide the subject with fruitful and practical results.
We are disappointed that we have been unable to create a shorter list, since that would allow a greater concentration of research effort. We cannot claim to have seen or read all of these titles and it would be presumptuous of us to attempt further selections, however we have provided clues in Tables 1 - 5 that may allow further selections to be produced.
A first clue comes in Table 1 which shows titles available in several languages, indeed many titles are available in three or more languages. We propose that these 22 works are high-level works and deserve to be regarded as such. (We do, however, concede that publisher policies may affect this proposition - in all fields there are examples of weak authors being marketed well and good authors not being marketed at all).
A second clue that we have provided is the use of two symbols, an asterisk (*) and a letter (s). These are the distinction made by Gille-Maisani (1992) of books which are original (*) and those which provide a useful didactic summary (s). The full listing shows 27 original works and 17 didactic works under these definitions.
A third clue is the date at which books were first published. There are texts first published as early as 1887, 1914, 1917, but they are still on the current recommended reading lists. This is an indication that they have been reprinted and republished, an implication that they are seminal works. More recent books may be listed since students will find them easy to obtain, or because they are a valuable re-working of seminal texts.
From an educational viewpoint all books signify 'best practice' in Europe. For teachers they indicate the titles which are being used successfully by other organisations. The tutor has a checklist of books, the content of which should be appreciated. The style of certain books may offer a better resource.
For students, the texts give a point of reference for building a graphological library. Clearly language may be a barrier to having access to some of the books, and it should be noted that many books are not easy to obtain. Hopefully, the existence of this article itself may prompt new translations and new editions of such titles.
In conclusion, we hope that our article will make a valuable contribution and will help to unite graphological associations, teachers, practitioners and researchers worldwide. The subject's status can only benefit from such a united stance.
Notes
| 1. | Our thanks go to these organisations: | |
| Great Britain: | The Graphology Society, The British Institute of Graphologists, The British Academy of Graphology, The Direct Analysis Society, The International Graphology Association. | |
| Italy: | Associazione Grafologica Italiana, Istituto Grafologico Moretti. | |
| France: | La Société Française de Graphologie | |
| Germany: | Berufsverband geprüfter Graphologen/Psychologen e.v. | |
| Netherlands: | Nederlandse Vereniging voor Grafologie en Schriftexpertise. | |
| Switzerland: | The European Society of Handwriting Psychology, which in turn represents member organisations from Switzerland, Germany, Austria and the Netherlands. | |
| 2. | Miller, J.H., Bibliography of Handwriting Analysis. A Graphological Index (Whitson Pub, New York, 1982) | |
| 3. | Gille-Maisani, J-C, The Psychology of Handwriting, (Scriptor Books, London 1992) | |
| 4. | Key used in Tables 1-5: * denotes original works, s denotes books of didactic value. These are Gille-Maisani's evaluations | |
| 5. | Second draft prepared July 1998. Copyright 1998 by N.R. Bradley and F.Cohen Published as (1999) Graphology Books : Indications for Co-ordinated Research and Teaching Graphologist, Spring 17(1), 6-11 ISSN 0951 6336 | |
| 6. | Keywords: graphology, script psychology, the interpretation of handwriting | |
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